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COMM
talk
Volume 3, Issue 1
Spring 2006
New face in department familiar to many
She
might not be familiar to students, but campus long timers know
Sherwyn P. Morreale is no newbie when it comes to the UCCS
campus.
Morreale rejoined the
department as an assistant professor with the start of the
Spring 2006 semester. She will be teaching in organizational
communication, communication theory, instructional
communication, public speaking, and the assessment of
communication competence.
Recently, and for
eight years, she served as Associate Director of External
Affairs for the National Communication Association (NCA), the
oldest and largest association of professors in the
communication discipline in the world. In her position at NCA,
she was responsible for communication instruction and research
initiatives and outreach on behalf of the communication
discipline to funding agencies, policy makers, and other private
and public audiences. She is the author of two communication
textbooks and numerous monographs and articles in academic
journals. Before NCA, Morreale was the director of the Center
for Excellence in Oral Communication on the UCCS campus.
Her undergraduate and
master’s degrees in communication are from the University of
Colorado and the Ph.D. is from the University of Denver.
Stansbery
brings drama into the room
JaNae
Stansbery is an instructor in the Communication Department at
UCCS, teaching Rhetorical Dimensions in Communication and
Male/Female Communication. Spanning the past 13 years, she has
performed, choreographed and coached vocals in Utah, Colorado,
and Southern California. Within the past two years, she has
performed in and/or choreographed 11 shows. She has acted and
choreographed for Theatreworks, Opera Theatre of the Rockies,
PPCC Masquers, Castaways, and the Fine Arts Center. Favorite
local roles include: Bella Mannigham in Angel Street,
Connie in Come Blow Your Horn, Mrs. Peacock in
Clue-the Musical, Joanne in Vanities, Betty in The
Threepenny Opera, Frenchy in Sweet Charity, and
Sondra in the world premiere of Dolly Put the Kettle On,
a Kennedy Center CTFA award-winner.
In the classroom,
JaNae stresses the importance of theatrical skills to effective
communication by focusing on interpreting and conveying
nonverbal messages. Because nonverbal communication is usually
more indicative of genuine emotions, reading these messages can
be crucial to understanding. In other words, what one says is
not as significant as how one says it, which involves
paralinguistics.
Kinesics is another
aspect of nonverbal communication that demonstrates how a
message can be sent merely by the way an individual walks across
the room. An actor must have a keen understanding of nonverbal
communication to convey a message and/or feeling to the
audience, particularly if the dialogue contradicts the subtext
of the message, i.e., the internal dialogue of the character,
which involves intrapersonal communication. Off-stage, an
individual who recognizes what messages he or she is sending can
alter the communication to elicit the desired response.
Similarly, listeners can more accurately recognize what messages
they are receiving, especially when the verbal is incongruent
with the nonverbal, respond appropriately, and avoid conflict.
Another benefit of
incorporating theatrical elements to the teaching of
communication is the positive effect of interactive activities
on student self-esteem and confidence. In JaNae’s male/female
communication course, students represent a wide range of
disciplines. Due to the interactive activities and discussions,
introverted and shy students learn to be comfortable getting up
in front of people and making comments. One day a student
excitedly said, “I can’t believe this. I’ve never done anything
like this in my life. I’m a Bio-Chem Major!” Class members learn
how being comfortable speaking in front of an audience and
publicly sharing ideas is crucial to personal and professional
success.
JaNae also witnesses
this positive effect via her experiences as a choreographer. She
is a perfectionist and observes that if a choreographer
expects excellence, she receives excellence. She
often choreographs actors with little or no dance experience and
finds that by recognizing and utilizing each performer’s
strengths and communicating high expectations, even
inexperienced dancers can receive audience acclaim. This
confidence will often extend to every aspect of their lives. She
has observed soft-spoken, insecure individuals transform into
confident, capable doers who believe that, with discipline, they
can achieve any goal. JaNae is thrilled to again be
working with her husband, Michael, Theatre Arts Department Chair
at PPCC, as choreographer for the PPCC Masquers’ upcoming
production of Do Black Patent Leather Shoes Really Reflect
Up?
Communication is vital
in every context of our personal and professional lives. Without
it, theatre would not exist. It is difficult to understand those
who ask the question, ‘You teach Communication?...What’s THAT?’
To their question, JaNae Stansbery simply replies …“It’s
everything.”
Comm Notes
NEW EDITING EQUIPMENT
Communication Department production students are using brand new
AVID editing systems this semester. The students in Intro to
Film and Video (Comm 225), Intermediate TV Production (Comm
327), and Advanced TV Production (Comm 427) will be editing
their projects on the newest AVID Express stations that include
new software, computers, flat panel monitors, and external hard
drives that the students keep with them. Despite intense
competition in the non-linear world, AVID is considered the
professional standard in editing and most of the contenders at
the Academy Awards this year were edited on AVID systems.
ACTORS NEEDED
Students in the Advanced TV Production class are producing short
narrative films and are in need of actors of all types, ages,
etc. Please contact David Nelson at 262-4129 if you are
interested or know someone who is.
LOVE IN THE AIR
Just before Valentine’s day, the Films of the 1960s class (Comm
490) was paused long enough for Air Force Academy Cadet Steve
Mackinder to propose to senior Comm Major Jillian Hollister.
She said “yes” and her 31 classmates gave them a big round of
applause.
News
from the Oral Communication Lab
Medical School Interviews
The Center for
Excellence in Oral Communication is offering videotaped mock
interviews for students considering applying to medical school.
Though the lab has conducted interviews in the past, they are
now tailoring the interviews to include questions medical school
applicants may receive.
“It started last
semester with a call from a student who said she needed better
preparation for the interview,” said Lab Director Bill Huddy.
“She provided us with some of the specific questions expected in
those types of interviews, and we incorporated them into the
interviewing process.” If you know of anyone interested in
scheduling an interview, contact the Oral Communication Lab at
262-4770, or stop by the office at Columbine Hall 312.
Looking for Undergraduates
Undergraduate
scholars within the Department of Communication are encouraged
to join the staff of the Oral Communication Laboratory. “With
the exception of teaching, undergraduates run the lab,” said Lab
Director Bill Huddy. “Undergraduates are the driving force in
our day-to-day operation, as well as providing a secure base for
our future.”
To qualify for an
undergraduate position within the lab (earning credits), you
must have completed Public Speaking (Comm 210) or Oral
Communication in the Workplace (Comm 201). “Both of those
courses provide an important starting point for what we do here
in the lab,” adds Huddy.
From the Chair: Consider adding minor to enhance degree
Recently the College
of Letters, Arts, & Sciences approved a policy that allows
students to “double count” up to nine hours of coursework which
can be applied toward both an LAS major (such as Communication)
and a stand-alone minor. This means that a course can meet
degree requirements for both a major and a stand-alone minor at
the same time. Here is how it works. Take a course such as COMM
344 (Leadership Communication), for example, and that course
counts as both 3 hours credit toward the Communication major
and 3 hours credit toward the Leadership Studies
minor.
As a result, now is a
great time for Communication students to consider adding a
stand-alone minor to their academic plan. A minor is a
coordinated, planned group of courses offered to allow a student
to gain limited expertise in a subject. The minor may complement
the student's major field, or contrast to it. Many students
elect a minor for enjoyment and intellectual satisfaction. Some
minors enhance technical abilities while others enhance skills
in allied disciplines. Minors are not designed to provide
specialist level capabilities, no more than a minor in
accounting would prepare one for an entry level position or the
C.P.A. examination. Minors do, however, provide more than
"exposure" or "familiarity," since minors require a structured
course of study. Minors involve a good degree of depth, but not
as much as the major. The key concept is added value: a minor
develops a new dimension to your intellectual and professional
capabilities. At UCCS, your minor is recorded on your official
transcript, alongside your major, so your college record, too,
is enhanced. Most minors require 18 hours (9 of which may be
“double counted”).
One such minor is in
Leadership Studies. Students electing to take the Leadership
Studies minor are required to complete three core courses, COMM
111 (Introduction to Leadership); LEAD 211 (Profiles of
Leadership); and COMM 495 (Seminar in Leadership and
Organizational Change).
In addition, one
course must be chosen from each of three content electives
areas, Understanding Diversity, Management and Organizational
Leadership; and Social and Political Applications of Leadership.
These elective courses come from a wide range of disciplines
including Communication, Psychology, Sociology, Organizational
Management, and Economics, among others.
For further
information on the Leadership Studies minor contact Dr. Michael
Hackman in the Department of Communication.
Other stand-alone
minors are offered in Ethnic Studies, Film Studies, Gerontology,
Theatre, and Women’s Studies. Information on these programs can
be obtained from the Student Success Center.
Class project sheds light on Uganda
While enrolled in the
Intercultural Communication course (Comm 328) in the fall,
Applied Communication majors Katie Balsis and Brianne Mullins
worked on a group project about the country of Uganda. They
became fascinated with another project in Uganda, “The Invisible
Children Commission.” The two brought awareness to not only the
class but to the entire campus. They set up a table in Columbine
with flyers and a video; sold T-shirts and restaurant gift
certificates to benefit this project.
The goal of the
Invisible Children Commission is to educate the world about the
crisis involving the kidnapping of children in Northern Uganda.
They are raising funds to build a boarding school to keep the
children safe and give them education, sports and exposure to
performing and visual arts. For the past 18 years every child in
Northern Uganda has lived in constant fear of being kidnapped by
the L.R.A. (Lord’s Resistance Army Rebels). The abducted
children are forced to join their army and carry guns, kill
other children, steal and carry out any demands placed on them
by their ruthless leaders. Over 100,000 Ugandan Children have
lost their lives to this war.
Katie and Brianne
arranged to show the film, “Invisible Children” on campus
earlier this month.
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